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Bellpulls and
Tapestries
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This cross-stitch design is finished with
golden brown velveteen backing and trimmed
with light gold twisted cording.
The stitched fabric tabs hang over a white wood rod.
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This cross-stitch design was finished into a long bellpull. It has
a cotton striped backing, custom tassel, and is decorated with ribbons
at the hanger. The edge is trimmed with green twisted cording.
Designed by
The Cross-Eyed Cricket, stitched by Summer Louise Truswell.
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This is a large bell-pull, approximately 14 across. It is lined with
interlining, batting, and the backing is velvet. There is a dowel
inside so the bellpull won't droop down in the center when hung.
Design by
Marilyn Leavitt-Imblum.
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This is a large bell-pull, approximately 14 across. It is lined with
interlining, batting, and the backing is velvet. There is a dowel
inside so the bellpull won't droop down in the center when hung.
Design by
Marilyn Leavitt-Imblum. |
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This needlepoint design was
finished into a bellpull with a golden bronze velveteen
backing. The heavy brass hardware is from Wichelt,
and is accented with a tassel at the bottom. |

This hand-painted canvaswork design was finished
into a bellpull with black velveteen backing. The tassel is made
from chainette fringe and was supplied by the customer, as was the brass
bellpull hardware. Canvas by LEE.
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This needlepoint tapestry was stitched on Penelope
canvas in wool thread. It measures approximately four feet across. The
tapestry was framed in dark burgundy velvet, and backed in dark burgundy velvet.
The piece will be hung on a wrought iron pole with finials by the
customer.
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This is a very large, very heavy tapestry of Thai
origin. It measures approximately five feet across. The
tapestry was framed in black velvet, and backed in black velvet.
The wood pole and finials were purchased at a home improvement store.
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A smaller bellpull, perfect for a smaller design.
Backed with velvet and lined with canvas and batting. The tassel and
the trim match the colors in the Santa. Design by
Mill Hill.
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Marilyn Leavitt-Imblum's Celtic Banner design is
shown here, finished two different ways. I believe both pieces
were stitched on Glenshee linen, but not the color variations that are
much more noticeable on the left piece (on the "i"). The bellpull
on the left is more formal with a tassel at the bottom and a traditional
twisted cording hanger. The bellpull on the right is more
contemporary with a knotted fringe bottom and tab top hangers.
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Small Hardanger ornament with wire-supported top and
hanger. Design by
Hermanson Hardanger.
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Bellpull stitched on stitchband, with twisted cording
hanger and ribbon detailing at top. Tassel at
bottom; backed with red felt. Design by
Calico Crossroads. |
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